The hammer, the bat, the boxing glove; we as humans use these tools for literal smashing, but sometimes we need a more proverbial smashing. With Arthur Song behind his quickly rising nom de guerre, Whitebear pounds the ground with a visceral harmony of melody and discord, symphony and cacophony. A Malaysian native based out of Melbourne, Australia, he's made his way all the way out to the States for a massive tour alongside Kalya Scintilla, and is headed straight for NYC this weekend. We had the opportunity to sit down with Whitebear and pick apart his brain just enough to satisfy the suspense of a long awaited face-to-face blessing with the man, and see what really makes this production powerhouse tick.

If ever a musician was rooted in the past, acting in the present and looking to the future it is Kalya Scintilla. Scintilla, real name Yaegon Lamagaia, is a pillar of psychedelic electronic music and culture. Since the late aughts this Australian producer has pioneered a now popular sound - a juxtaposition of earthy, instrumental world beats with squelchy, spacey synths in a psybient mid-tempo mold. Scintilla takes great care to draw listeners into the thematic world beyond his sounds, one of ancient energy, myth, intention and alignment. Ahead of his Back to Roots tour stop at Knitting Factory Brooklyn, supported by Whitebear and The Rust Music artist MALAKAI, we were fortunate enough to speak briefly with Yaegon about his music and ideas.