Rusted Rhythms Vol. 41 - Lousy Anna A/V Mix

Music and visual art go together like chunky peanut butter and strawberry preserves, filling in the gaps and accentuating the flavors on both ends of the spectrum. Contemporary A/V mixes have quickly become one of the most accessible and distributed methods for engaging this multifaceted medium.. Denver resident Ashton Suire is showing off his skills as a connoisseur of dusty, boom-bap breaks and tightly composed beats through his Lousy Anna project. With releases across Subciety, all:Lo Collective, and Feyk Collective, he’s carved out a space for his brand of urbanized psychedelia.

For Rusted Rhythms Vol. 41, we tapped Lousy Anna to provide the next installment of the Rusted Rhythms A/V series. The mix itself is a stellar session of jazz flair and head-nod appreciation, featuring a threaded web of original tracks and selections from artists like mono massive and Black Rain. The visual compilation is a collage of colorful designs with mindful cinema; Alfred Hitchcock, Lone Ranger, and other monochromatic films of that era. The chopped rhythms appear to morph with the faces and bodies as they rotoscope and materialize, reaching back to the days of late night, acid-washed VH1 videos. From start to finish, it’s a choice journey across a range of fluid musical territories that’s sure to keep you locked in for the duration of Rusted Rhythms Vol. 41, premiering tonight at 8pm EDT.


Rusted Rhythms Vol. 31 - Kodiak Kid

Born from his passion for turntablism and the art of DJing, Kodiak Kid’s sophisticated mixing skills and bold track selection are impossible to miss for the discerning listener. He tosses any style of music into his mixes, from reggae and hip-hop to mid-tempo, glitch, drum and bass and downtempo. On Rusted Rhythms Vol. 31, he mostly favors hip-hop, halftime bass, and the hard-hitting intersection between these two styles. It’s full of raw and highly relatable bars from a number of international emcees which then segue into alien bass frequencies.

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Rusted Rhythms Vol. 29 - Gaddy

When Gaddy, pride of Houston, stepped to the decks for a Rusted Rhythm, he did something different; a one-hour all vinyl, all hip-hop mix featuring rare selections of wax from his personal collection. One could call this a refined historical tour, an ‘influences mix” for Gaddy. These rhythms and much of this drum work is foundational for his own bass-infused compositions.

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Rusted Rhythms Vol. 27 - pheel.

More so than in past iterations of his music, pheel’s contribution to Rusted Rhythms finds him playing with and leveraging the force of sub-bass. It’s a subtle force, as these things usually are with pheel. It’s in the nuance, the detail, and even at times in the silence that this producer truly speaks. This mix consists of all original music, runs for approximately one hour, and builds ever so gradually from beginning to end.

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